Showing posts with label Kolkata. Show all posts
Showing posts with label Kolkata. Show all posts

The Keeper of Time!


I am sure all of you have seen me in some way or the other, in paintings or in person. But I understand if you have not realised my existence amongst my fellow-beings. I stand at the corner of the pathway where the humans walk early mornings or late evenings, just outside Victoria Memorial in Kolkata. I am here at the same spot since the last thirty odd years (if you go by human calculations). For me, it feels just yesterday the good Samaritan in blue overalls placed me here.

I keep hearing lots of stories and chatter over the din of the moving metals boxes of various sizes (called cars) that keep honking without reason. It makes me wonder, what pleasure do they get by shouting at each other. I think they are just driven mad by the growing number of humans, hence I see them passing out more of the black air day by day, to vent their feelings.

At least I can comprehend what the humans say, unlike the cars. Most of them who sit on the bench at my foot to chat are the ones with grey hair and have difficulty in walking. Sometimes there is a man in tattered clothes who sleeps here when the sun is scorching, and then there are the young at heart who peck at each other like my friends, the Birds. I hear them chat about studies, work, money, children, houses, politics, travels, and relationships, but never about me. Yet I can't help but eavesdrop.

Nowadays, I feel sad when the ones with grey hair chat between themselves. They sound so lonely and confused at the same time. It seems none of their young ones stay with them anymore. They are either in cities they call Bangalore, Pune, Delhi, or in different countries they call US, Europe. This is happening over the last ten years. Before then, they used to talk about getting them married, and how they are faring in different life stages. Now mostly I hear them saying - my son / daughter 'called'. "They must be cooking now, they must be in office now, I heard my grandchild is growing up fast and started talking". Everything has become an assumption and craving. The human children seems to have started leaving their parents and are living independently like the Birds.

What I do not understand is, why are they never happy, why is there a mask all the time, why do they have to lie to their own, why don't they have the courage anymore to do what their heart pleases? There are two such people who come every evening. I heard them talking over the small box pressed to their ears they call 'phones', saying, "Please do not worry about us, we are fine and happy here. Visit us when you have time". And the next moment after they removed the 'phone' from their ears, they started crying, saying "wish our son can visit us this festival, we haven't seen him in two years since he went off to US". I feel so helpless, wish I could have consoled them in some way.

There is one common topic that is always in vogue in the city - Politics. The young, the old, the poor, and even the roadside vendors seem to be bound by this common term. My friend, the Dog, brings me stories from all around. That is how I know that the long strings of people who walk the roads every now and then are either supporting or protesting an idea. They convey their thoughts with 'slogans', placards, and different colour themes (which is very interesting for me, I wonder what the red or green pictures signify).

As I already said, I have seen and heard a lot over the last three decades. I have seen numerous people with varied looks and clothes visit the memorial, mostly with those clicking objects they call 'camera'. I share my experiences and thoughts with Dog, who also seems to be very perturbed nowadays. He says food is scarce and humans have become more rude. They always seem to be in a hurry and on the verge of fighting all the time. He has lived lesser than me, but he has the gift of mobility, hence has seen and heard more.

We have also faced the vagaries of weather together. There have been scorching summers, pleasant winters, and severe monsoons. I love rains, since that keeps me alive. The man in the blue overalls stopped feeding me water after a year, and I had to fend for myself. But the rains have been torrential lately. Sometimes, it goes on and on for days together, clogging the roads and making it very difficult for the men who carry behind them two big circles attached to rods (sometimes with more humans sitting on top). The cars also come to a standstill and there is even more honking, now from the humans as well, as if the boxes were not making enough noise.

What scared me was what the humans called "earthquake". One sudden afternoon, I felt excruciating pain in my veins as it got pulled and stretched for some two-three minutes. Next day the humans were ga-ga about the event, as they discussed how small an earthquake it was and comparing it to other countries, where something on the Richter scale was much higher.

Till date, I have never been scared of death. I wanted to die naturally like my fellow beings, when they grow old and dry up. The humans then saw them up and take them off to some obscure place. But this earthquake really shook me up. The humans were saying it is the result of the ravaging they are doing on Mother Nature, the increasing pollution and ever-rising population. But if such a small earthquake can cause me so much pain, I wonder how much pain my fellow beings will be in. I do not want to die an unnatural death caused by humans.

I think I can go on and on about my surroundings, the humans, the Victoria, the changes I have seen amongst all in my life. But everything looks so complicated these days, I am thoroughly confused. I long for the chatter and laughter of the small humans who used to run around me, the happy faces I see no more and the love stories that were woven around me. And I wonder, will I live to see such a day again? If not, I hope I dry up soon and die since I do not want to be the keeper of just humans sorrows.

About Dhaka, and my Grandfather...


Have you ever missed someone you have never met? Wished that you were around the person for at least sometime, so that you had tales to tell to the next generation? And also pondered over the simplistic achievements of the earlier era and hoped that even a percent of their goodness was imbibed in you?

My relation with my grandfather is a culmination of the feelings above. He was from Bikrampur, Narayanganj. Tall, fair, dhoti-half shirt-shoes clad, expletives-speaking, stereotypical "bangal" of early 1900s, started his career in 1936, crossed the border in 1948 with my beautiful grandmother in tow as refugees. Grandmother herself was from Rangoon (Burma), moved to Dhaka during World War II, married and shifted to India with her husband. Their refugee certificates state them as East Pakistan residents.

Amongst the new professions of that period, my grandfather was a photographer. He learnt the art in Doss company (Azimpura, Dhaka). With the early horizontal black-box cameras and a few years of employment in Doll Studio (Park Street, Kolkata), he visited Burnpur for Industrial photography, following which the family shifted to Burnpur and opened the first photography studio in the small steel city.

I have heard innumerable anecdotes from Baba about his skills, the small shop with tin roof, his tools (one of the antiques still exist within the family) and the rented house where they stayed for 42 years! My initial memories also revolve around that house, where even I have stayed for the first few years of my life.

The feelings were rekindled recently when Baba was discussing the announcement of the discovery of the Higgs Boson. Satyendranath Bose's 1924 research that created the Bose-Einstein Statistics, build the foundation for Bosons. Bose did his research in Dhaka  and grandfather was his personal photographer. Baba still has the certificate given to grandfather by Bose, amongst the various other memoirs.

Grandfather's skills were not restricted to Bose. He had accompanied General Ayub Khan (later president of Pakistan) for three months in his camps. Manipur's Raja-Rani had offered him to move to the state after seeing his work. He had clicked Sharmila Tagore's childhood pictures, when her dad was posted in Asansol Railways. Asha Pareekh's bengali-style saree clad picture, and bit of still photography work with Meghnad Saha (as assistant still photographer) and photographer in Eastern Talkies is also in his list. And finally Nehru, when he visited to inaugurate Mython Hydroelectric plant (DVC). The list goes on, and I remember this few.

His good nature and professionalism is what people remember him by. Sadly, the small shop he had opened up burnt down and most of his works extinguished with it. Baba had to rebuild the venture from scratch, a loss he regrets till date.

Such times bring such a hollow feeling, an indefinable emptiness, to reach out and live the un-missed moments, get pampered for a few years, just to be able to recount the love, affection and simplicity of the person who passed on his genes to you. Wish he had known that his granddaughter will be on her way to the world! Lots of struggle and ups and downs later, he gave in to his health at the age of 51, ensuing another life of struggle for Baba, who was just 17 then. Well, that is another story altogether :)

The professional success of the period was more towards sustaining families. To pull through the emotional and financial burden of leaving everything behind and begin afresh in a new country. The unsung heroes, the common man, faded away to obscure corners of the hearts of family members. The dedication of the genre of that age was so profound, their art and intelligence was several strata above what we can ever imagine to possess. Hats off to what we call the older generation.

I have promised myself to visit Dhaka (and Bikrampur) at least once in this lifetime, as an ode to the man I am proud to call my grandfather. All I can say about him is that the yearning is going to live and die with me - the remorse of never having seen him and the complaint against God, for taking him away so soon! I guess even He wanted some nice portraits to be clicked :)

O. Henry or Kunal Basu – same thoughts centuries apart?!

When was the last time you tried to hide (literally) the ending to a short story so that you can relish the penultimate paragraph to the fullest? When did you last feel nostalgic about being part of a story, empathetic to the extent that you want to deep dive into the characters and live in that era / time to see how they are continuing with their lives? And did you ever feel that you should definitely meet the author and quiz him, and applaud him for his unique writing style?

Maybe O. Henry or William Sydney Porter was one such person. To actually have such pathos and elegance of contemporary living, his short stories had a mix of overpowering love, sacrifice, and fantastic emotional exchange (both between the characters, and between the characters and the reader). The mere difference is Kunal Basu doesn’t give a stark anti-climax as O. Henry. Well, you can safely say that I never hoped I will be able to come across a collection of short stories, which will sweep me off my feet, in our era.

A long hiatus to writing, a book review on ‘The Japanese Wife’ was very much required for me. It is one of those times when, even in dire adversities, you need to express the happiness that you encountered. And I would like to thank Kunal Basu ten-folds for such enthralling exuberance (regret the alliteration) in his short stories.

None of the feelings in my first paragraph are imaginary. I have this weird (and painful) habit of reading a paragraph multiple times if I love the language before moving on. With ‘The Japanese Wife’ it became worse. Usually we tend to get involved with a novel, but to achieve that in a short story is truly commendable. Whenever I realized that I am about to reach the end of one of the 13 stories, I used to hide the ending with my palm and re-read the penultimate paragraph to my heart’s content.

With his vast knowledge of various locales, you won’t just wonder at his exquisite language but will also feel like asking him if he has actually lived in Russia and China, and in a particular era. You will want to know if he has come face to face with Hitler, with the students’ revolution in China, if he has encamped with the poachers in Sunderbans, if he has seen his own past-life, and experienced the pain of a spouse having an extra-marital affair with an American. And these are just snippets of his exquisite collection of short stories. Based out of Kolkata (hence almost all the anecdotes have a Bengali protagonist), he has definitely traveled far and wide to provide such vivid description of the places.

The ending to each narrative was a sweet shocker. And almost all of them gave a hope – to live your life on your own terms and to stand up against a difficult situation. There is an almost unimaginable twist to each and EVERY tale in the very last couple of sentences, and that is when you get the urge to read the story all over again, and desperately want to know how it feels to dream big and have the courage to reconcile to your fate. You will want to know how one becomes a widow to a husband she has never met, how to cope with the knowledge that the love of your life (whom you married) has brain tumor, how extreme lust can be misused to lead to your death.

Again, I was desperate to watch the movie (as I do with all remakes of the books that I read). Aparna Sen is a talented director, and with a versatile star-cast, the movie is really well made. It takes you to the old Bengali movie sophistication of Satyajit Ray’s era. It was a bit slow, considering Aparna Sen translated a short story to an entire movie script. But the visuals from the infuriated river Matla during extreme monsoon are a treat for the eyes. And the evergreen Mousumi Chatterjee was as loveable as ever!

I will suggest the cynics to stay away from the book. The less-sensitive don’t deserve to partake of such emotional upheavals. Well, the choice is theirs to take.

As for me, I intend to pick up Kunal Basu’s other reads, just for his sheer writing style. And hopefully pave my way around to meet and chat up with him someday ;).

Kolkata Knot Kalling

To start off, I do agree with you that the subject-line is pretty clichéd, but I wanted to try my hand at some stupid alliteration. So the refined version will be – Kolkata Not Calling.

I have never been a fan of Dominique Lapierre; simply because he couldn’t keep my interest going for his “It Was Five Past Midnight In Bhopal”. I had read around 50 odd pages before I gave it up 2 years back, and it’s still lying deserted under some stack of my books. Of what I remember, it was full of misery of the poor, and so disconnected with each chapter that it finally became a bore.

The point here is not why I didn’t like reading Lapierre then, the point is the same elucidation of misery and disconnection which is holding on to my fascination for “City of Joy”. I was quite apprehensive when I picked up the book to read because Kolkata has been a big debate in life. It is even wondrous because I have never stayed in the city per say – it has always been a brief visit to my numerous relatives or a trip as a tourist to relish the old architecture of the evergreen city.

Kolkata – now to explain why I have always been confused about the place. Some things about the city have been either repelling or fascinating for me. The roads, the countless yellow and black cabs, the feeling of moving on to modern architecture within half a kilometer of a slum, the metro, the sweating heat, the eve-teasing, the dozing passengers in trains and buses, Eden Gardens, Victoria Memorial, the human carts (rickshaws), the expanse of cosmopolitan culture and their acceptability with each other, phew, I can go on and on!

I still feel that the inhabitants of this old capital have a different genre of blood running in their veins. Especially the been-there-for-many-generations crowd here loves the city so much that their mother’s name might as well have been “Kolkata”! They hate the idea of leaving their ancestral home and try their fortune in some new city. Anjan Dutta has created this love very beautifully in his all-time favourite album “Priyo Bondhu”.

As for me, I have always been a bit skeptical of this love and glad that my parents didn’t decide to bring me up here. Mainly because I feel that Kolkata people lack the spirit of adventure. They are so damn happy with the laidback life and too much of family bonding that they are scared to live alone outside their small world. Hold on, I am not generalizing. I have actually seen it happen with one of my own uncles and the situation might well be evolving with our generation. With the comparatively lower cost of living here, youngsters are venturing to the more posh cities in search for higher salary.

Earlier, I guess there was a tinge of jealousy because I could never understand how a whole clan can be so bloody proud of the place they live in. But over the years, moving from Bangalore to Pune and back again, I realized that it is natural to have that feeling of belonging, to reach out to roots – and which I very well lack. I am usually content with either visiting my parents once in a while or them coming to Bangalore to see how their daughter is faring in her career. My Mom has asked me several times to find a job there so that I can be near home, but I have never been able to even dream close enough of living in the city. I am glad to think of the city as a fantasy, instead of being a part of the awe I have for the metro.

Well, this is not about me now. There are still 200 odd pages left to read in “City of Joy” but whatever I have gleaned till now has left quite an impact. The rich have their own comfortable shack but when it comes to the under-privileged, the hope which sees them through the excessive heat, the floods during monsoon, the illnesses, and their acceptability for the other. It is like a constant fight for mere existence, a race, a love, and a hatred which I just don’t understand. If you have forgotten, I did say I am in awe of the city!

As a second thought, I guess I couldn’t read “It Was Five Past Midnight In Bhopal” because I couldn’t relate to the tragedy that hit the city due to the emission of poisonous gas. I might dig out the book and give it a try after I am done with “City of Joy”.

I won’t say that all my feelings for Kolkata are encompassed in these few words but the city sure will remain one of the biggest debates in my life. It has not called me yet but who knows, down the lane responsibilities might call me to settle down here, and trust me, the simple thought of it is a mixture of feelings, 90% of which is dread!